Showing posts with label embossing. Show all posts
Showing posts with label embossing. Show all posts

Wednesday, 23 October 2013

Minor Miracles can happen!


 DB had a plan to have his wedding vows written out for his 1st wedding anniversary gift to his wife... but with one thing and another.... you can guess the story.... I got an email on a thursday afternoon wondering whether I could get something to him by Saturday!



He'd already realised that he was probably asking too much, but whilst looking through my shop he had fallen in love with this piece and wondered whether I could arrange framing for 'as soon as possible'.

Grow old along with me, the best is yet to be.
~Robert Browning~


Well, at the moment I don't have anyone I use as a regular framer, so rashly promised I'd see what I could buy 'off the shelf' locally, if he was prepared for me to change the design to suit. In the end, I pulled off a "minor miracle" as he called it, by getting this done & posted on Friday... then Royal Mail responded to our fervent positive thinking requests for it to arrive on the Saturday!

I can't always complete work at such short notice, but if I can, I will. A good sob story & lovely attitude helps too!


Tuesday, 23 April 2013

What's The Life Of A Man?

What sort of gift do you give to someone recently bereaved? Well, it does depend how well you know them, but after hugs, poetry & songs are high on the list. It takes some thought to know or to find those words that are meaningful to a particular person and I think that it is that thought rather than the means of presentation that can be so much appreciated. Obviously presentation is a part of it, and I can help with that bit, but the sentiment... the feeling... the love, that is behind a gift such as this that really makes it special.

R chose words from a version of a traditional folk song that was both meaningful & a favourite. She had an idea of greens, some leaves and a bit of copper & was happy for me to decide what would look best. 


What's the Life of a Man?

As I was a walking one morning at ease
A viewing the leaves as they fell from the trees
All in slow motion appearing to be
And those that had withered, they fell from the trees

What's the life of a man anymore than the leaves
A man has his season, so why should we grieve
Though all thru this life, we appear fine and gay
Like the leaves we will wither and soon fade away

If you'd seen the leaves just a few days ago
So beautiful and bright they all seemed to grow
A frost came upon them and withered them all
A storm came upon them and down they did fall

If you look in the churchyard, there you will see
Those that have passed like the leaves from the trees
When age and affliction upon us do fall
Like the leaves we must wither and down we must fall



After a few false starts, I eventually decided on muted shades of green watercolour for the calligraphy... various tones reflecting the changing hues we see in nature... with embossed leaves falling down one side & settling across the bottom. One sycamore leaf was covered with copper... almost like a full stop, marking the end of one man's life here on earth.

this piece is available here

I tried another layout too... this time with leaves mainly across the bottom & a few at either side... in this version, 2 of the leaves are enhanced with copper. To me this represents two people... it could be two people who have passed on, or the link between two people, one living, one gone...


The technique I used for the leaves is called 'dry embossing'. Outlines of several different leaf types were drawn on card & cut out with a scalpel... I then used an embossing tool, pressing the paper through from the back of the calligraphy into the cut out shapes. When the paper is turned back over, the leaves are raised, forming a lovely subtle pattern. I love the textures that arose on both pieces...


Embossing is so subtle... minimal... white leaves embossed into white paper.... that seem to shift slightly throughout the day as light plays across the surface.... like i said, subtle.... the translucent tones of the watercolour change almost imperceptibly throughout the lettering.... and the copper leaves catch the light differently as well, so this becomes a living, subtly changing piece of work....



Saturday, 23 June 2012

Grow Old ~ Mounted & Framed

By now, the "Grow Old" embossing will have been received by the happy couple! It's really hard to photograph behind glass.... when the lettering showed up well, the glass was full of reflections on the photo. 

Anyway, this is what it looked like; you can see the overall effect of the banana backing paper & mount with the wood frame... it's very natural. Even in 'real life' the effect of embossing relies on the light... the 'barely there' look draws you in to look closer.... subtle... 


 The paper used for backing & to cover the mount is cotton rag with banana, made by Khadi. I often cover the mount with the same paper that I have used.... I feel that a regular mount is often too 'hard', especially against a handmade paper and I never find just the right white or black to suit various white or black papers.


I have done another with the mount covered in the same white paper, in this case Arches watercolour... it give a streamlined look, nice & clean... minimalist...


An alternate mount with sanwaa tissue over the white: This keeps the subtlety, but introduces another texture... it is so sheer & light, with flecks of real gold & silver leaf. It just adds another dimension to any paper... i use it so much!



Thursday, 17 May 2012

'Grow old...' an Embossing Re-worked

It seems that this piece of work has stood the test of time... there are reflections on the glass, but you can still see the words embossed

Grow old along with me
the very best is yet to be
~ Robert Browning ~



The beauty of embossing is that once a template is made, you can repeat the design for as long as the template lasts. A lady who had received one of these as an anniversary present managed to track me down.... 15 years later!!  


The trouble is I no longer had the template.... i do remember thinking that it was getting a bit tatty & if i ever did it again, i should re-do it. I can only assume that it was a casualty of my clear-out when i moved everything into the caravan, probably thinking it would motivate me to create anew. Well that worked! I never thought that anyone who had seen this early version would ever request another one this far down the line & it's quite amazing that she even found me!


drawn lettering on the bottom... 
at the top, the template is flipped over & stuck down onto card, 
and the 'holes' out of letters put back in, eg from O & D

And so i set about the process of designing letters... i couldn't bear to use the same style as before... besides i write differently now... and think & feel differently. I see no point in copying an old piece of work.... however similar this may become, i need to approach it as a new piece. It's quite a lengthy process.... i drew these letterforms, building them up so the 'thins' weren't too thin for embossing... then traced them down onto bristol board... and began cutting the letters out with a scalpel...


I love the cut-out-bits... they are safely tucked away now, 
ready to evolve into 'something' at some point. 

As i drew & traced & cut & stuck I took photographs thinking of giving you a full tutorial on the process & found myself wishing i had a camcorder to record the process too... so much can be better explained by actually seeing... I used to love teaching & i find myself hankering after it again... i don't particularly want to go back to adult-ed, besides, our lifestyle wouldn't accommodate something so fixed... anyway i had the photos & a tutorial planned in my head... then managed to delete all the step-by-step pics from my camera before they were saved on my hard drive (insert groans/cheers, depending on whether you were interested anyway!!)

a few tests on different papers

If you ever cut any amount of anything with a scalpel, wrap a plaster around your finger, or the top of the blade BEFORE it starts to hurt.... oh, & put a fresh blade in right from the start too, even if you think it's quite a new one. 


a credit to the poet 'robert browning' is lightly written in pencil
across the base of the lettering... 

I love the simplicity of white on white.... with white paper the shadows show up more & help define the letters. I added a line top & bottom to add a bit of strength & definition to the design... and the little rainbows came courtesy of the crystals hanging in my windows!

I've done two versions.... one will stay white, with a mount covered in the same paper, the other will be backed onto a natural paper & have a matching natural mount. This will be an anniversary present & will have names & date across the top, in pencil to complement the credit.... more pictures to follow when i'm done!

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